Analysis of sound-based media artistic practices will serve as a case of a new media paradigm of contemporary art. This aim is informed by transintermedia, the multimodal nature of these practices that synthesize audio, visual, and proprioceptive forms of artistic communication in today’s media environment, as well as by the integrative nature of the multimedia interactive catalogue/archive that allows one to present on a platform individual projects, their documentation, analysis, geography, authorship, and reception, as well as philosophical reflection by the researchers. Сatalogization, systematic description and philosophical analysis of sound-based media artistic practices will allow for the effective support and promotion of media-art and sound-art practices in the framework of new programs and projects, plans for the development of urban and regional artistic and acoustic social and cultural environments.