The article examines the activities of the Student Cultural Center in Belgrade in the early 1970s. Special attention is paid to the analysis of the formation of new art practices on the example of one of the most significant exhibitions of the Student Cultural Center - «Drangularijum» (1971). The article provides an analysis of individual works of the exposition and their connection with various processes of the artistic and socio-cultural environment of Belgrade and Yugoslavia of that time. The research is based on the archival materials of the Student Cultural Center.