The Article is devoted to understanding the concept and artistic embodiment of time in the work of I. A. Bunin «Name days». Based on the material of the biographical context of the 1920s and the philosophical ideas of the French thinker A. Bergson, the author explores how the image of time, correlated with a dream, is built. It is revealed that the multi-dimensionality of time is achieved through its spatialization. The space in miniature has a three-level character.